Tune in to the Voice of Indie podcast Wednesday November 11 at 8 pm EST. Our guest this week is Gwen Plano, author of The Heaven and Earth trilogy. Gwen will be with us for the entire hour, sharing news of current projects, chatting about her past work, and answering your questions and comments. So join the discussion via Twitter by using #FreshInkGroup in your tweets. We will also open the phone lines during the show to take your calls live on the air. We hope to find you in the audience!
Hey! Did you know Fresh Ink Group publishing produces a weekly live podcast called Voice of Indie? The hosts of the show are me, Beem Weeks, and author and publisher Stephen Geez. Every Wednesday at 8 pm EDT we welcome authors, musicians, and artists into our studio for a full hour of discussions. We also open the phone lines so listeners can call in with their questions and comments.
Past guests have included author and journalist Ronald E. Yates, musicians Ron and Zach Tippin of the prog rock band Widetrack, sci fi author Robert G. Williscroft, and Robert McKenzie, author of The Chair.
This week’s guest is Christian romance author and gospel singer Jeannie Sharpe. Be sure to mark it down on your calendar. And if you miss any show live, you can always find it in the archive!
Tune in to the Voice of Indie podcast Wednesday October 14 at 8 pm EDT for an hour with Widetrack. This Michigan prog rock band has been making big waves with their fourth studio album The Unwakening.
Tune in here: VOICE OF INDIE
Visit the band’s web site here: WIDETRACK
Grab your copy of The Unwakening
Join the discussion on Twitter using #FreshInkGroup
Today, I am taking part in “Pay It Forward” day. What this means is, I am promoting an author here on The Indie Spot.
D. L. is an independent California girl, born and raised in the San Francisco Bay area. In 1990, she and her husband packed up their kids, dogs, and cats, and relocated to the Sierra foothills in Nevada City, CA.
To say D. L. is a reader is a major understatement. She immerses herself in all sorts of books, crossing genre lines that include romance, horror, and fantasy. With vivid imagination, D. L. has long treasured creating her own reality on paper. So, when the family’s move placed her among towering oaks, high cedars, and fragrant pines, her creativity blossomed into a solid skill for telling stories that others are thrilled to read.
Her creations include three indie children’s books and an autobiography with poetry (which is the book I’m currently reading).
In 2016, No Fairy Tale was awarded the New Apple Annual Book Awards Official Selection in the Memoir Category! In 2017, the book became a finalist for the Next Generation Indie Book Awards (NGIBA) in the poetry category.
Though D. L. has endured difficult situations in her life, which has included addiction and abuse, she has risen above the turmoil to become one of the better writers in the indie author movement. Her words have a way of pulling the reader into the stories unfolding on the pages. Her poetry is simply beautiful.
It has been my pleasure and honor to introduce this author to the readers of this blog. It is my sincere hope that those who take the time to read this piece will become better acquainted with D. L. Finn and her work.
Let’s now take a closer look at this writer’s work.
No Fairy Tale: The reality of a girl who wasn’t a princess and her poetry
You are invited into D.L. Finn’s life, written through a princess’s viewpoint. While it’s usually assumed in fairy tales that the princess is beloved by all, this is one princess who doesn’t feel loved. She dreams of a moment when her father will walk through the castle door, sweep her up in his arms and proclaim how much he misses her. That never happens. Instead, she is introduced to a new step family. Just like in the fairy tales, this is where the story takes a dark twist; where addiction, abuse and adolescence thrive together in retched misery. From her lowest point as a hopeless fourteen-year-old girl who gives up all hope– comes a spark of faith. This is where she begins her quest for a happy ending.
Although the princess ends her very real fairy tale, D.L. Finn steps in and shares her thoughts, poetry and photographs. This entire narrative is the author’s reality from childhood through adulthood. She maintains the privacy of those involved while hanging on to her truth.
An Unusual Island
When Janine’s parents win a vacation to a private island, it’s the same week as her and her twin brother’s 16th birthday. Cool! She can’t wait to lounge on the beach and let the staff pamper her! Much to her disappointment, though, they leave the island to go sightseeing on a boat. Unlike the rest of her family, bouncing around the ocean isn’t her idea of fun. Even when her brother gets their dad to stop the boat to investigate the neon sea creature that he is sure is following them–nothing. Losing her new red hat is the highlight of her trip until an unexpected storm hits, and they shipwreck on an uncharted island. After tending to some wounds from the crash, they search the island in hopes of finding human civilization. Although they don’t find what they are looking for, it appears they aren’t alone. When they return to their campsite—a fully cooked dinner is waiting for them! Why? And a better question is why did they eat it? It was as if they stepped into a fairytale– or nightmare. Who is on the island with them and what do they want?
It’s April of 1917, and World War I has reached Elizabeth’s family on their wheat farm in North Dakota. Although the battles are being fought overseas, the war has affected her in ways she couldn’t have imagined. Elizabeth is thrust into a new role after her brother and father leave the farm to do their part in the war. And she’s only eleven years old!
Having almost died as a toddler, Elizabeth has been babied most of her life. Now she must learn to help out around the farm; cooking, cleaning, and tending to the garden and livestock. No longer can she run from her responsibilities, as she did when her horse Rosie was giving birth. There were complications during the delivery, and Elizabeth panicked and froze. The foal didn’t make it.
Elizabeth faces her biggest challenge yet as a huge Christmas Eve snowstorm rages outside, cutting her family off from any help; and her mother is about to have a baby! Her brother and sister are laid up with chicken pox. Does Elizabeth face her fears or run from them? Can she help her family, who need her more now than ever? Or will she retreat like she did when Rosie needed her?
Things on a Tree
What a way to spend Christmas Eve! Thirteen-year-old Aimee is sick and missing her dad, who died in a car accident last year. While the rest of her family are outside playing in the snow, she is alone by their Christmas tree. Aimee sighs as the tears begin to fall. She wishes she still believed in Santa Claus. Then she could ask him to change the last year. Yeah, right, she thought. She turns away from the tree, and falls asleep. Later that night, Aimee awakens to a strange noise. Clink! Clink! Clink! Her fever must be higher than she thought, because she can’t believe what she is seeing running down her purple blanket! But everything happening to her is very real, including the fact someone wants her dead. Aimee is thrust into a world of magic, wonder and greed. Her journey takes her from her snowy rooftop, to the streets of New York and the North Pole with the promise to return her father to her family. Who could she trust when things aren’t always what they seem?
No Fairy Tale
Marketing in this modern world of indie publishing has afforded authors a wide array of options. Among these choices are blogs, Facebook, Google+, and LinkedIn. I personally prefer Twitter. Twitter allows for quick messages and immediate feedback. With generous retweets, the audience potential is virtually unlimited.
On Twitter, I’m known as @voiceofindie (though I’ve recently added @BeemWeeks). Those who follow me know this account isn’t just a self-promoting entity. I promote the work of others more so than my own. Writers, bloggers, musicians, artists, and photographers often benefit from shout-outs and retweets. But I don’t do this expecting retweets of my own stuff. I do this for one simple reason: A stronger indie movement is good for everyone treading this platform.
When we indie writers, musicians, and artists work together, we strengthen an up-and-coming industry. This tells the mainstream: Hey, we can do this without you. It lets the world know we exist, that our work is of the highest quality, and we’re only gaining in power.
I’ve discovered many new and talented writers through this process. I’ve also been turned on to great music from some seriously amazing musicians. Bands like Argentinian rockers Amoenus and Nashville-based The Bloody Nerve are reaching the world with music that, in most cases, sounds far superior to the auto-tuned nonsense seeping from the major labels these days.
@voiceofindie is growing each day. The only drawback is that I may not be able to get to every retweet every day. There are just so many wonderful participants involved in my little experiment. And that’s exactly what it is: an experiment. I set out to see if creative sorts from across the world would come together in the twitterverse to share what they’re reading or writing or listening to or recording. And it’s working. So why not join in and support indie! Tweet for tweet is the cheapest way to spread the word.