Tag Archives: RRBC

#RRBC BOOK & BLOG BLOCK PARTY!

 

Hi and WELCOME to Rave Reviews Book Club’s BOOK & BLOG BLOCK PARTY at THE INDIE SPOT!  Location: MICHIGAN.

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Here’s What I’m Giving Away Today:

GIVEAWAYS ARE CLOSED!

CONGRATULATIONS TO THE WINNERS: Mae Clair, Rob Kimbrell, Mary Schmidt, and Jerry Marquardt.

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Number of Winners for this stop: 4

I decided to have a little fun with this Book & Blog Block Party stop. In the years since Jazz Baby first saw publication, some readers have been curious as to what happened to Emily Ann “Baby” Teegarten. Did she ever make it to New York? Were her dreams of singing jazz professionally ever realized? Did she find success? Well, presented here, is an interview with Baby Teegarten, which takes place ten years after the novel ends. This is meant to be a glimpse into the life our protagonist may have created for herself.

The Baby Teegarten Interview!

 April 15, 1935

She chose the meeting place. I could lie and tell you readers that I arrived thirty minutes early just to get a feel for the room. But the truth of the matter is, I get a little nervous with this one. Most of you have been reading my column for the better part of 15 years. You know the names that have graced my page: Babe Ruth, Harry Houdini, Clara Bow, Harold Lloyd—even Charlie Chaplin agreed to a sit-down chat back in 1924.

Still, this one is different.

The she I’m referring to is popular jazz vocalist Baby Teegarten. They don’t come any bigger than Baby these days. Three consecutive years as the country’s highest-paid entertainer proves this fact.

I lock down a table at the rear of McSorley’s Tavern on East 7th Street—which also happens to hold a strict policy for not allowing women inside.

But Baby Teegarten, well, she’s not just any woman.

“This is her neighborhood,” the fellow tending bar tells me. “She has a swanky place overlooking Central Park. Bought it from Babe Ruth himself.”

It’s the Babe who introduced Baby to McSorley’s.

“Nobody bothers her in here,” the barkeep explains. “Besides, if she’s pals with the Babe, she’s all right by us.”

I knock back a Scotch and soda. It’s what steadies my nerves. Only Mae West ever had me taking a nip before an interview.

I’ve seen Baby perform a dozen times easily—this going back to those first shows she did at Swelby’s Joint. Two thousand patrons lined up every night just to witness the Baby. She’d been just shy of her fourteenth birthday back in those early shows. But any fool with eyes and ears could tell she was special.

Oh, sure, we all recall the backlash at allowing a mere child up on those club stages. But nobody could—or would—stand in that girl’s way. No, sir. She’d have busted any full-grown man in the chops, should one be so bold as to try.

Prompt, this one. She arrives at 3 o’clock sharp, with her entourage in tow. By entourage I mean her manager, Abe Horowitz, and Job Pritchett, husband of Baby.

Mr. Pritchett, he’s a large fellow, to be sure. Tall and wide; real sturdy; the sort of man who likely spent his youth throwing bales of hay around the farm, maybe even punching cows—literally. Hollywood handsome: blond hair worn messy, pale blue eyes, an easy laugh. He’s more threatening than threatened. Famous in his own right, he’s known the world over for his paintings and sculptures.

Baby is a true vision, greeting patrons by name up by the front door. She’s resplendent in a violet-colored summer dress that falls just below her knees. Diamonds sparkle on her fingers and wrists, her ears, at her delicate throat. There’s even a gold bracelet on her right ankle.

Eyes as green as emeralds track me down in my corner.

There’s a subtle sweetness in her scent.

Lilacs.

“Hey, there,” she says. “I’m supposed to talk with you today?”

I’m lost for words in this moment, so I just nod like a mute fool.

“You don’t mind it here, do you?” Her accent is rich, wrapping her every word in a southern twang thicker than molasses—and just as sweet.

My voice carries a slight tremble, but I manage a quick, “No, ma’am.”

Baby Teegarten settles on a bar stool next to mine. “This is Mister Pritchett, my husband,” she says.

Job Pritchett’s massive hand takes mine with a gentle squeeze. “Good to meet you,” he tells me in a boyish tone. A lucky fellow, this one.

Abe Horowitz needs no introduction: Club owner, manager of a handful of singers and musicians. Connected. He mined gold when he discovered Baby Teegarten.

Job’s lips brush Baby’s lips. His voice comes soft, almost a soothing thing. “Me and Abe will be up at the bar—if you need us.”

It passes there in the space between them: his subtle caress of her cheek, her gentle squeeze of his hand. These two are infatuated with one another.

“Lord a-mercy, I love that boy,” she says, once we’re alone. “We got our tenth anniversary coming this summer.” She waves her right hand in my face. “He just got me this one right here.”

She means the full carat diamond set in white gold on her ring finger.

“What does it feel like to make more money than the president of the United States?” I ask, leading us into the interview.

Her petite shoulders give up a shrug. “Just means I can buy whatever I want—’Cept Jobie’s the one buys my jewelry. That boy makes nearly as much as me.”

She’s a tiny thing, maybe five foot two. I’m guessing it might take an extra big lunch to push her past a hundred pounds. And though she doesn’t mention it, this day is her twenty-third birthday.

I ask, “When did you first start singing?”

“Since I can recollect. Pastor Pritchett first had me up in front of the congregation when I was just five. That’s when I took to singing for other folks who ain’t just my kin.”

“Mississippi, right?”

Her head tips a short nod. “Down Rayford—up a piece from Biloxi.”

“A Delta girl, huh? You pick cotton down there?”

A silver cigarette case finds her hand. “Picked a bunch. Mister Kuiper used to pay me a dime for each sack I managed. I made a dollar a day most days.”

“Doesn’t sound like much.”

“It does to a little girl ain’t got much of nothin’.”

A Lucky Strike settles between her lips. Smoke rolls from her dainty nose.

Questions my editor suggested filter through the small talk. “You’re working a lot with George Gershwin. How’d that come about?”

“Georgie’s sweet,” she says, sending smoke rings chasing after her words. “His family knows Mister Horowitz’s family. He liked my voice and wrote some songs for me—’Cept I’m the one writes the words, since I’m the one has to sing ’em.”

Sales figures wedge their way into the conversation—nobody sells more phonograph records than Baby Teegarten.

“A million,” she offers. Says it as if she doesn’t really believe it herself. “I mean, a person can reach into his pocket, grab a hundred of something, and toss it on the floor and say, ‘Yep. That’s a hundred.’ But nobody can throw a million anything on the floor and count that.”

She’s had three of them reach that plateau in recent years.

“Where’s your favorite place to play?” I ask, scratching off another one from my editor.

“Paris is nice.” Her hand gives up an abbreviated wave, catching the barkeep’s attention. “What’s so amazing there is, those folks don’t speak no English, but they sure know all the words to my songs.”

A bottle arrives at our table. Not exactly what I expected.

“Co-cola,” she says, drawing a long pull. “Mister Horowitz don’t like for me to drink liquor while I’m gabbing with newspaper fellas. He says I just might talk too much.”

I feign shock. “Secrets?”

There’s an endearing sweetness in her giggle. “Oh, I got plenty of secrets.”

“Horowitz really looks after you, huh?”

“He’s the best. Like a second daddy. Doesn’t let anybody get close enough to take advantage.”

She spends a lot of time on the road, traveling by train, singing in places like Chicago, Detroit, Cleveland, St. Louis, and Kansas City. Big theaters, is where she sings these days. Gone are the smoke-filled clubs with dance floors and drunken revelers.

“I like the theaters,” she says. “And I really like seeing different places. But I do miss the New York clubs. I could do two shows a night and be at home with Mister Pritchett by one in the morning. Now, I do one show for five thousand people—nobody drinking or dancing—a night at a hotel, then up before the devil and off to the train station and the next city.”

There’s a weary tone creeping into her answers. Well, maybe weary isn’t the right word. Cautious, perhaps.

“Do you ever take time off? Maybe stay home for a while?”

She does—but only because the men in her life force her to do so.

“Once Mister Pritchett and Mister Horowitz get together, they’re worse than two fathers.”

Baby Teegarten will soon add actress to her resume. She just this week signed to play a role in a new James Cagney movie.

“It’s only a small part,” she explains. “I play a singer in a jazz club. I’ll sing two new songs they wrote just for the film.”

“Any lines?”

Just one. But that’s fine by her. “I ain’t no movie star.”

No, she’s not. But that doesn’t stop the real movie stars from turning out wherever Baby Teegarten treads a stage. It’s fashionable to be seen at her shows.

“Jean Harlow got my autograph last summer in Chicago.” She says it like it’s a normal thing that happens to most people.

“How’d you come to be friendly with Babe Ruth?”

That shrug raises her shoulders again. “He came to my shows most nights he was in town—back when I still played the clubs. Once he decided to buy a house in the country, I bought his apartment.”

“I guess that makes you a Yankees fan, huh?”

It’s a playful thing, that sideways glance she throws at me. “Ain’t no self-respecting Mississippi girl gonna ever cheer on no Yankees.”

Abe Horowitz’s approach signals a wrap to our discussion. I’d been promised twenty minutes, Baby gave me thirty.

“Gotta get ready for the trip to Hollywood,” she says, gaining her feet.

She offers a handshake, which abruptly becomes a friendly hug.

Job Pritchett, arm around Baby’s waist, sweeps the girl away, following Abe Horowitz out the front door, into the crowd moving along 7th Street.

It takes a few moments for my head to clear itself of her scent, her voice, her very presence. It’s not a difficult thing to see why so many have fallen for this lovely young woman.

“She just has a way about her,” the barkeep says as I make my getaway.

She certainly does, I tell myself. She certainly does.

Grab a copy of Jazz Baby

 

 

 

 

 

 

 

MOMENTS: A COLLECTION OF SHORT STORIES AND POEMS by Harmony Kent

 

Hello, readers! Welcome to The Indie Spot. Today, I am sharing my space with dear friend—and talented author—Harmony Kent. Harmony is gearing up for the release of her latest creation, MOMENTS: A Collection of Short Stories and Poems. So please spread the word, leave a comment, and show your support.

Take it away, Harmz… 

 

Hello, everyone, and welcome to my 4Wills Publishing book blast release tour. Today, I’m celebrating the release of my eighth book! Moments is a collection of short stories and poetry and brings together much of my imagination that has been scattered around for a while, lols. On each of today’s seven posts, you will find a different book excerpt … enjoy!

 

About the book:

 

Come.

 

Take a moment to delve into tales from the dark side, have fun with fantasy, dabble in dystopia, and court danger in a little science fiction.

 

These tales touch upon death, grieving, war, fresh starts, hope, courage, change, choices, and encouragement.

 

And then, after all that, you’ll find the poems.

 

From the lonely echoes of an empty house to the soaring heights of unexpected love and joy and learning to live as free as clouds and water.

 

For each of us, a moment encompasses a lifetime and, yet, passes in but the blink of an eye. In but a moment, everything can change. And in this very moment, life beckons in all its potentiality.

 

When the shadows fall, what will you do?

 

Excerpt:

(From ‘Twenty-Niner)

 

The pounding in my skull wakes me. I rather wish it hadn’t. Not much, at least that I can think of, can be worse after a night of over-indulging than waking up next to a stranger.

 

Unable to recall his name.

 

Or how we met.

 

And—perhaps, most important of all

—why he’s dead.

 

That realisation snaps me out of my hung-over fog. With a groan, I roll onto my side and push myself upright. Once I have my feet on the floor, I prop my elbows on my knees and cradle my head in my hands. Please, please, please tell me that I didn’t do it again.

 

Is it too much to ask for a normal life? A normal relationship? A normal lifespan?

I pray, dear reader, that you’re not a Twenty-Niner. That your birthday doesn’t fall on the 29th of February. That you don’t age four times slower than everyone else. Or suck the life out of other folks to do it.

 

 

Thanks so much for stopping by!

To buy Moments, please go to AMAZON US or AMAZON UK.

Author Bio and Links:

Indie Author Harmony Kent is an award winning multi-genre author. Her publications include:

 

  • The Battle for Brisingamen (Fantasy Fiction) AIA approved
  • The Glade (Mystery/Thriller) AIA Approved/BRAG Medallion Honouree / New Apple Literary Awards Official Selection Honours 2015
  • Elemental Earth (YA Fantasy Fiction)
  • Polish Your Prose: Essential Editing Tips for Authors (Writing/Editing) New Apple Literary Awards Top Medallist Honours 2015
  • Finding Katie (Women’s Fiction)
  • Slices of Soul (Contemporary Poetry)
  • Interludes (Erotic Romance short stories)
  • Moments (Short Stories and Poetry)

 

As well as being an avid reader and writer, Harmony also offers editing, proof reading, manuscript appraisal, and beta reading services.  As well as reviewing and supporting her fellow indie authors, Harmony works hard to promote and protect high standards within the indie publishing arena.  She is always on the look out for talent and excellence, and will freely promote any authors or books who she feels have these attributes.

 

For all books available from me, check out my author pages at Amazon UK and Amazon US.

 

Book Trailer videos: Harmony’s trailers.

My website: http://harmonykent.co.uk

Twitter: @harmony_kent https://twitter.com/harmony_kent

Facebook: https://www.facebook.com/HarmonyKentOnline

My 4Wills Author Page: https://4willspublishing.wordpress.com/our-authors/author-harmony-kent/

RWISA Author Page: https://ravewriters.wordpress.com/meet-the-authors/author-harmony-kent/

“The tour sponsored by 4WillsPublishing.wordpress.com.”

Pregnant Future: A Brand New Book by Joy Nwosu Lo-Bamijoko

My dear friend and author Joy Nwosu Lo-Bamijoko has stopped by The Indie Spot to share news concerning her brand new book release! It is truly my pleasure to share this space with this incredible woman. Take it away, Joy…

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Pregnant Future
(No One Knows What Tomorrow Will Bring)
A True-Life Memoir

BOOK BLURB:

Justina was a fighter. And, although it seemed the world was against her and her future was destined for failure…she persevered in the face of it all.

The future that was being thrown in her face, was not the one she had dreams of…and if she wanted to get her feet on the right path

She was going to have to show the world her strength. But, does she?

Will she have the will to make it to the end, unscarred?

What would you do if you knew what the future had in store for you?

Would you run towards it with open arms, or would you run away and never look back?

Justina must make a choice … before life chooses for her

Justina is every young woman who found herself alone in the world to fend for herself. It is the story of the pitfalls that await such a woman. It is the story of survival

How the Book Was Born:

This was a very difficult book for me to write. It was supposed to be my first published book, but because of the dread I had about events contained in the book, and the fear of spilling my guts for all to see, I circled away from it and wrote about other things. I wrote about other people’s fears and struggles, about their disappointments and victories, and all the time, I was asking myself, what about the fears and struggles you personally witnessed and endured?

In 1962, I was practically smuggled out of Nigeria, out of the continent of Africa, to a foreign country, a European country where English was not spoken. No one prepared me for the trauma of finding myself where I was the odd person out. The plan was originally for me to go to Dublin, but somehow, the plan was changed, for the better, I was told. Instead of a scholarship by the Holy Rosary Sisters, who trained and nurtured me, the scholarship was up-graded to a government scholarship.

At the time, I was ecstatic about the upgrade. I was even looking expectantly forward to being in Rome. I was still a child in everything, never having been exposed to the outside world. There I was, alone, and lost.

I mentioned being smuggled out. Yes. I was spoken for, and my fiancé was determined to sabotage my leaving the country, in any way he could. So, I had to leave in a hurry without his knowledge. No one will ever know how it feels like to be alone and lost, unless one has lived it.

Justina of this story is me, muddling through life, falling and rising. In the end, I can sit, look back and shudder. I am still in awe of what I have become. It is only by the grace of God that I am who I am today.

Pregnant Future Trailer

ABOUT THE AUTHOR:

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Joy has written and published extensively on national and international scholarly journals, magazines, and newspapers.
Her first short story I Come from Utopia was published in African Voices, Spring/Summer, 2007, pg. 18. Since then, she has published numerous others in RAVE SOUP FOR THE WRITER’S SOUL Anthology, Bks 1-3.
Mirror of Our Lives: Voices of Four Igbo Women was published in 2011, and was shortlisted for the Commonwealth Book Contest in 2012. She has also two books published in the Italian language.
The Legend of the Walking Dead: Igbo Mythologies, is a journey into the mysteries of life and death of the Igbos of Nigeria was published in 2014

In Pregnant Future, her new Novel, Justina is the story of every young woman who found herself alone in the world to fend for herself. It is the story of the pitfalls that await such a woman. It is the story of survival

Author of:

Legend of The Walking Dead: Igbo Mythologies
Mirror of Our Lives: Voices of Four Igbo Women
Pregnant Future

CONTACT:

Website: https://thelookingglassjnlb.wordpress.com
Blog: www.Jinlobify.Com
Twitter: @Jinlobify
Facebook: Facebook

This tour sponsored by 4WillsPublishing Author Services

Author Linda Mims Stops by The Indie Spot!

It is my privilege and honor to introduce to you indie author Linda Mims. Take a few minutes to read about this talented writer and show your support by leaving a comment for her. Take it away, Linda…

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An interview with the Author …

 

Why did you write this story? I wanted a story that would resonate with the Millennials who are moving away from the inner cities. I wanted them to see the affect that not giving back to the community will have in the long run. It’s for the Black and Brown Lives Matter advocates who must also teach that education matters. Voting matters. Stopping the violence matters. Breaking the code of silence matters. LOVE matters. I put it in a mystery because people like them, but I hope they will still hear the message.

 

Who is this book for? Originally, it was for the New Adult category, but as it grew, it became a story that any adult could read and relate to. I’d like for teachers in the inner-city to recommend it to students who are mature enough to handle adult themes.

 

How did you come up with the title? When I was writing the scene where Cameron Reed explains to his son-in-law, Dickey, how Noel received her sight, I was in the “zone”. Dogs were meowing, cats were barking, and the houses were sizzling with electric lightening. I saw them glowing in bright, neon orange and yellow.

 

Why did you give your main character paranormal powers? As I was writing I wanted her to have a secret and I decided, “wouldn’t it be great if her own husband didn’t really know the extent of her secrecy?” Also, paranormal is a popular trend and I wanted to keep it current for my readers.

 

You say this is a series. When can readers expect the next installment? The outline has been created and the rough draft is swimming around in my head. I’ll say before the end of 2017.

 

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Author Bio:

Linda Mims started creating tales in her head as a child. At age 12, she knew she was onto something when she sold a story to her grandmother for a quarter, but it was her dad’s more practical advice, to get a good education and find a real job, that she followed.

After retiring from her “real job” as an educator, Linda began her writing career as an indie author. The tale of The Neon Houses was born out of a careless comment that people had lost interest in reading. The joke was that decades from now we’d need to hold reading nights in neighborhood parks for citizens who wouldn’t be able to read.

Linda rolled that idea around in her head until it turned into a whole society of have-nots. Once the idea got rolling, she worked nonstop until she’d finished the first draft. Writing is now her real job!

Linda Mims resides in a small suburban town 30 miles outside of Chicago, IL where she likes to cook, garden, and blog, sometimes simultaneously. She is married to her long-time love, has two grown daughters and one bossy, bichon-pom, Alexis.

Twitter – http://www.twitter.com/boom_lyn

Facebook – https://www.facebook.com/AuthorLindaMimsmbria

Website – https://lindamims.com/blog/

 

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THE NEON HOUSES
https://www.amazon.com/dp/B01M8P63E3

Dr. Noel Kennedy hears screams inside her head, but the screams aren’t hers. While preparing for her annual end-of-summer barbecue, Noel hears her young friend—twenty-year-old Zarah Fisher—screaming for her life. However Zarah is miles away!

Noel knows the exact moment Zarah takes her last breath because Noel has a secret! It’s a secret that not even her husband Richard knows.

As the Deputy Chief of Schools of Gang Territory, Noel has perfected her life. She is a solid, middle-class citizen from New Chicago, Incorporated. New Chicago and Gang Territory have become vastly different societies since the early Urban Wars. Now, year 2087 finds New Chicago’s military-trained police determined to enforce laws that keep “gang people” out.

Harlem Pierce, a New Chicago police detective, has been warned to stay away from this case and he urges Noel to let it go. But a new killing involves Noel’s younger cousin and her boyfriend and links Noel to it in a startling way.

Who can Noel draw on? Must she turn to Warren Simpson—the menacing, treacherous boss of Gang Territory? Or … could he be the killer?

https://youtu.be/_JrglVENUOs

“The tour sponsored by 4WillsPublishing.wordpress.com.”

Writers: Don’t Get Lost in the Traffic!

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Wrote a great book, did you? Looking for ways to reach readers, are you? Well, have I got the place for you. It’s called RAVE REVIEWS BOOK CLUB! Yep! I’ve been telling you all about it for the past three-plus years.

And just what exactly is RAVE REVIEWS BOOK CLUB? I’m glad you asked. RRBC is an online community of readers and writers whose sole goal is to support one another. Members buy, read, and review fellow members books. It’s what we do.

But wait!!! There’s more!!!

Book Club Badge Suggestion copy (1)

By joining the RRBC community, you will have your book(s) placed in the club’s online catalog, making it available to the entire membership (currently at just under 400). Those who choose to be supportive of fellow members will discover the perks of membership. Books of the Month? We select three titles and promote them on Twitter, blogs, and Facebook each and every month. Many club members purchase these titles and review them.

Spotlight Author? Well, let me explain it to you. When chosen to stand in the spotlight, the author embarks on a month-long journey that includes wicked Twitter support, a blog tour, a seat on the shelf with club President Nonnie Jules (chit-chatting about you and your book), and a live interview on one of the RRBC Blog Talk Radio programs.

Look, most of us here are writers. We understand the marketing struggles indie authors face in today’s world. RRBC is meant to be a tool for the writer. But it requires more than just signing up. Support is vital. Those who don’t support, well, they receive little support themselves. It is through support that members become familiar with the names of fellow members. Marketing, branding — this is a foothold, an opportunity to meet other authors who also happen to be readers. This is the writer’s chance to build a foundation on which to establish their work.

If it sounds like something you may be interested in, stop by the RRBC site and have a look around. It only costs $25 per year (though it’s just $20 for those who join before 11:59 pm CT 2/22/17).

Click here to visit the RRBC SITE!

Peggy Hattendorf: Author & RWISA Member!

Greetings and welcome to The Indie Spot. It is my privilege and honor to introduce to you author and RWISA member Peggy Hattendorf — in her own words! Take it away, Peggy…

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The Interview

1) How long have you been writing?

My professional writing started in the mid-1970’s, when I created volunteer and staff handbooks for a number of agencies in the non-profit field.

I entertained the idea of writing a novel about 10 years ago but purposely shelved the plan for nearly two years due to other commitments. The notion of writing fiction still gnawed at me and I would jot down potential characters, ideas and storylines during this hiatus. When I finally dusted off my old notes, scribbles and research and read over the material, I realized I had the makings for a good story. With new found enthusiasm, I set about writing my first novel. My background with upscale and luxury travel products served a cornerstones in the character development and storyline.

2) How many books have you authored?
At present, I have one novel Son of My Father – A Family Dynasty.

3) Do you have a writing schedule?

Yes. Currently I am working on my second book in the family dynasty series. This one still focuses on the wealthy Barrington family, and I utilize some of my travel destination research for the magazine to add new locations and settings for the book.

4) You’re a member of RAVE WRITERS – INTERNATIONAL SOCIETY OF AUTHORS (RWISA). Why do you think you were accepted into this exclusive group?

I was honored and humbled to have been selected by personal invitation from Nonnie as one of the first 10 people to join RWISA. I believe I was invited into this organization because I am a strong and focused writer with a distinct voice and style. I take writing very seriously and continue to strive to be the best in all I produce. With my debut novel, I’ve been able to create a captivating story with well defined characters in exquisite settings and locations; appropriately interrupting the narrative with savvy and funny dialogue while maintaining suspense with plot twists and turns to keep the reader engaged until the very end.

5) Modesty aside, what separates your writing from the millions of other writers in the world?

I am a serious writer who continues to advance my professional endeavors, hone my skills and strive for excellence. I write with passion and want to translate that deep purpose to the reader. As a character driven writer, I use that passion to create a compelling and richly developed cast. I write in my head and start assembling this small grouping around a central theme and the storyline develops. I use logic, structure and organization in developing clear ideas and how to express them in a solid story. I’m grounded in data, research and fact-checking for credibility and authenticity. For example, in certain instances, it’s more appropriate for character and life-style to use more formal language in dialogue. I deliver a readable story with good content, a strong storyline, an intriguing plot, crackling dialogue from well crafted characters presented in elegant settings around the world.

6) If you could spend a day picking the brain of one author, who would that be? Why?

I was fortunate years ago to have had this experience. My husband and I had dinner with the late Allen Reed Folsom and his wife Karen at their home in Malibu. He was a screenwriter for years but his big break came with his thriller, The Day After Tomorrow, about a Neo-Nazi cult. We were with them shortly after he sold this debut novel in 1993 for $2 million dollars, a record at that time. As elated as he was to have sold his novel, he said it took him decades to get to that point. He was diligently working on his second book at the time of our visit. Had I known then, I would someday venture into this whelm, I would have been armed with a list of questions to ask him over dinner.

There is another author, Patricia Cornwall that I would find most interesting to involve in conversation. She is a seasoned serial writer and I am writing my second book in my family dynasty series. Her Scarpetta Series is one of my favorites as she uses a strong female lead, Dr. Kay Scarpetta, a medical examiner by training. I too have a strong female lead, also a career woman, Christiana Lynn Barrington. If I could “pick” Ms. Cornwall’s brain, I would inquire as to how she keeps a series “fresh” and interesting writing a total of 35 books in 27 years. As she also writes children’s books and cookbooks, I would be curious as to what prompted her move into other genres. In addition, I would ask if she found her work as a journalist an asset in writing fiction.

7) Are you a die-hard INDIE writer who loves having complete control of your work, or, if you were offered a publishing contract today, would you sign on the dotted line?

I do love being an INDIE writer and am not looking for outside representation. But with that said, if I was offered a publishing contract today, from a recognized publishing house, it would warrant my time and attention to understand the facts and terms of the contract. My desire is to have Son of My Father – A Family Dynasty adapted into a television movie or mini-series and that might be one of the major advantages of having an agent.

8) As an author, where do you see yourself in 5 years?

I would like to have the third and final book in my family dynasty series complete. In so doing, this will require more travel for my inspirations, settings and research.

9) What is the ONE tool that has been the most beneficial tool in the marketing of your books?

I joined a very supportive network – Rave Reviews Book Club. I would tell any new author to commence the overall marketing process well before completion of the book and go online and immediately join Rave Reviews Book Club.

10) Name one writer that you know of, member or non-member of RRBC, who you feel should be added to the RWISA Roster of elite members? Why?

I would suggest Rebecca Reilly. I believe she is a gifted writer as demonstrated in her book Haunting Megan.

11) What is the one piece of advice that you could share that would be most valuable for those aspiring to not only be writers, but those aspiring to be great writers?

Enjoy each and every step of this “creative journey” and don’t be in a rush to publish.

12) Do you believe that writers who churn out several books a year are really putting out quality work?

There are certainly a number of prominent authors who publish several books per year to satisfy contractual terms of their publishers and keep their readership engaged through new releases. Some writers are co-authoring books possibly to keep ahead of the competition. It is hard to place a chronological time period on quality work. I believe each body of work should be judged on the quality alone without regard to the amount of time it took to produce the manuscript.

13) If you had promised your fans a book by a certain date only to find that your book wasn’t the best it could be, would you go ahead and publish your book just to meet that self-imposed deadline and deliver as promised, or, would you disappoint your fans and shelve the book until it was absolutely ready? No matter your reason, please explain why?

I would absolutely halt the release date if the book was not deemed ready for publication. At the same time, I would issue a statement that the release date had to be pushed back and add the new publication date to keep up the interest from my fan and readership base. In the interim, I would continue to have contact with my readership via blogs etc.

14) In your opinion, what makes a book “a great book?”

In my opinion, a “great book” is based on a number of key elements and I use the broad categories of fiction and non-fiction works. For a fiction book, I look for the following: *interesting storyline, * intriguing plot, * proper pace and flow, * well-defined characters, *crisp dialogue and * above all it must be a readable story! In a non-fiction book you also need an interesting storyline and proper pace and flow. Moreover, a non-fiction book must: * present an engaging topic, subject or person, * deliver insight or knowledge – possibly not known prior to reading the book and * be well researched with verifiable data and first-hand documentation, if possible. No matter the type of book or genre, it must be well written and hold the reader’s attention.

15) If you received a review of your book which stated that there were editing & proofing “issues,” what’s the first thing you would do? And the second?

I take my writing career very seriously and strive to deliver quality and excellence in all my work. Unfortunately, some editing issues have been brought to my attention and I have engaged Nonnie Jules and her team at 4Wills Publishing to address the items not identified and corrected by the former contracted editors.

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The Importance of your Author Brand and Reputation

By Peggy Hattendorf

Improper branding or a tarnished reputation can sink your career.

Proper messaging and a solid reputation, on the other hand, add both tangible and intangible benefits. A recognized brand is a strategic tool and important business asset which can determine your success as an author – as much as quality or price. Branding is imperative to commercializing your business, advancing product exposure and leading to increased demand for your books and products.

The American Marketing Association defines brand as, “a name, term, sign, symbol or combination of these, intended to identify the goods and services of the seller and to differentiate it from competitors.”  Branding is all activities that raise awareness for your business and helps shape consumers’ perceptions, awareness, associations and loyalty.

Professional reputation is defined as the “public” opinion about your business determined in part by the image and quality of products and services and further conditioned by consumer understanding, knowledge and intuition.  A “good” reputation helps build brand loyalty. The terms brand and reputation are interrelated and sometimes a strong brand image can combat some reputation issues.

Branding:

  • Improves recognition.
  • Assists in promotion of products/books/services.
  • Attributes quality, value and reliability.
  • Associates an image – “luxury” or “mass-market” as examples.
  • Creates trust, credibility, legitimacy and loyalty.
  • Supports advertising.
  • Differentiates from the competition.
  • Generates customer sales.
  • Builds financial value and resources.

Reputation:

  • Defines public beliefs or opinions generally held about a person or business.
  • Harder to build than to destroy.
  • Requires effort, patience and time to build.
  • Needs consistency and constant attention.
  • Represents your value in the marketplace.

The establishment of a solid brand, positive image and a good reputation are key elements for creating success in the literary world.

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Social Media

Twitter handler – @peggyhattendorf

Facebook – www.facebook.com/peggy.hattendorf

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Web Site/Blog

Website/blog – www.peggyhattendorf.com

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Thank you for supporting our RWISA (RAVE WRITERS-INTERNATIONAL SOCIETY OF AUTHORS) Members!  Please follow and support the entire tour by visiting 4WillsPub.

 

Writing the (Almost) Perfect Book Review

Today we will take a look at what goes into writing the (almost) perfect book review. Nothing is ever really perfect, but those imperfections should never be an excuse for being unprofessional or rude.

Okay, so you’re new to the fine art of writing book reviews. Maybe you’re not quite sure how to go about sharing that incredible (or terrible) story you just finished reading (or couldn’t force yourself to read the entire thing). The hope here is that perhaps we can shed some light on approaching the task—regardless of your feelings toward the book in question.

Book reviews are opinions and nothing else. But these are valued opinions (when done correctly) that can guide readers to—or away from—an author’s hard work. Opinions will always vary when it comes to books, movies, restaurants, or anything else that is often the target of reviews. I may not have enjoyed the mashed potatoes at Cracker Barrel, but those same spuds may stir recollections of Granny’s home-cooked Sunday dinners from way back in another patron. So does that make my opinion any greater than another’s? Not a chance. My opinion is just an option for those reading reviews of dinner choices at the local Cracker Barrel.

But this presentation isn’t about culinary creativity. We’re here to discuss books and the reviews we seek to write. I’ve written over a hundred book reviews and dozens of concert and record album reviews. Book reviews (and movie reviews) are a different breed from other write-ups in that there are certain things of which you need to be aware when sharing your thoughts on the latest novel you’ve read.

The first (and most important) item to remember is: NO SPOILERS! Not even with a “spoiler alert” attached to the front end of your review. If there’s a twist at the end of the story that really blew your mind, then please allow the next mind to be equally blown. I hate it when such things are divulged—even with a warning. I may choose to not read beyond the warning, but that doesn’t mean a friend will stop at that point. This friend then decides to bring up the twist as I’m mentioning the new book I just added to my Kindle.

I call to mind the first time I saw the movie The Others. I hadn’t even heard of this film prior to my viewing it one lazy afternoon. I remember thinking that the film trotted along at a rather slow pace—so much so that I nearly turned the channel. I’m glad I didn’t. As the film progressed, I became even more invested. And as it reached its conclusion, POW! I honestly did not see that twist coming. And thankfully, I was able to be floored by the brilliance of the writing and the acting because nobody spoiled it for me.

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I’ve read the novel Me & Emma by Elizabeth Flock. This wonderful story contains a twist at the end that spins the entire story into a whole new perspective from the one through which I’d viewed it right up to the final two chapters. Good writers will do these things. Good reviewers will leave those things hidden, allowing the next readers to discover those gems for themselves. So please leave the spoiler alerts out of your reviews.

The next thing to keep in mind is: DITCH THE PLAY-BY-PLAY! A review is never meant to be an outline spilling plot details. Neither is it supposed to be a road map through the story. If I can gather most of what’s going on between those book covers from your review, what reason do I have in investing money and time in reading it for myself? This only serves to cheat the reader out of a good read, and it snuffs out a sale for the author.

A well-written review will give us just a taste of the plot, a glimpse into the lives of the characters, and offer opinions on whether or not the author has what it takes to tell a fine story. It should be a critique of story and style.

This leads us to another very important point: ATTACKING CONTENT MISSES THE MARK! Okay, so what exactly am I talking about? Saying you didn’t like the story in question because the girl was raped or a child died says more about the reviewer than it says about the book. If we’re voracious readers, we’ll eventually run into a story that may, at points, make us feel uncomfortable. My skin was crawling at times while reading The End of Alice by A. M. Homes. It’s a dark read, this story. But Miss Homes is one of my favorite writers. Her stories are vivid with living characters. She, as a writer, is skilled at yanking the reader from his or her comfort zone. The best writers are able to do these things without a second thought.

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The End of Alice is a bestseller. I mention this only because, as such, there are quite a few reviews for this work. The titles of some of those reviews posted on Amazon are rather telling. Beautifully Disturbing; Disgusting, But Impossible to Forget; Fascinating, Frustrating and Disappointing—but Unforgettable. Most opinions of this book award four and five stars—even though many of these reviewers found the story quite disturbing. Then there are those who simply attack the content and do all they can to steer potential readers away from this work.

Did the writing captivate you? Are the characters believable? What sort of emotions did you experience while reading? Did the author pull you out of your comfort zone? Is it a well-written story without punctuation or spelling errors? Did you care about the characters or were they worthy of being hated? These are the sorts of questions we should ponder while determining our opinions of the works of others.

Not all reviews warrant four and five stars. But that’s not license to attack an author’s work either. An honest review should be constructive in its criticism, not destructive. Social media is rife with mean and nasty comments that are designed to tear down rather than build up. Take into consideration the author may learn something from your review, and thus become a better writer because of you! Be honest, be tactful, be kind—even if it’s a 1, 2, or 3 star review. If you don’t like a particular story, explain the reasons behind your opinion.

As reviews coordinator for RRBC, I’ve heard from members who found issues with books they’ve read. They tell me they feel guilty writing a one or two star review. Well, if that’s their honest opinion, then that’s what they should award. I challenge them to offer the author—as well as potential future readers—an explanation on why they arrived at this rating. Are there punctuation problems? Plot holes? Is the story just too unbelievable? Share these details—but do so in a way that teaches. Be encouraging rather than discouraging.

And finally, when posting your reviews, be sure to proofread before sharing with the world via Amazon or Barnes & Noble. Nothing is quite as ridiculous as a critique of another’s work in a review filled with misspellings, missing or poor punctuation, and sentences that make little or no sense at all. If need be, allow another pair of eyes to do the proofreading for you—before you hit the post button. Your words represent you as a writer—whether they’re reviews, blog articles, essays, or novels. Always strive to make a strong impression. And remember, writing reviews is another way to make connections in the indie author world. If you’re needlessly harsh in your criticisms, that’s a reflection on you.