Tag Archives: FanderWaals

Grace VanderWaal: New Music, New Video, New Tour!

Rating: ★★★★★

Grace VanderWaal is a busy young lady these days. The 15-year-old songstress has recently released her fourth single this year, filmed three new videos, spent part of June opening shows for Florence and the Machine, and has just kicked off her own headlining tour across the United States.

“Waste My Time” is VanderWaal’s latest single. The track is quite a departure from the indie-pop sound cultivated on her debut album, Just the Beginning. The vibe here is more in line with the synth-pop sound that is common with dozens of other singers today. That could be dangerous for a performer looking to stand out from the crowd. But it’s the voice that sets “Waste My Time” apart from everything else on the radio today. VanderWaal, simply put, is a gifted vocalist. Her tone is rich and melodic, easily identifiable within the first word or two, and carries an honesty that cannot be faked. And her lower ranges are just incredible!

If I’m being truthful, this one took a couple of listens to grow on me—though it is now on repeat on my iPod. The change in sound is something I (and other FanderWaals I’ve heard from) didn’t expect. And that’s a good thing. Grace VanderWaal will never be accused of growing predictable or complacent with her music. My two favorite bands (Led Zeppelin and Metallica) never recorded two albums that sounded alike. This is what sparks longevity with music fans. It’s what creates classic songs that generations will continue to appreciate.

The accompanying video for “Waste My Time” is quirky and funny and sweet—much like the singer herself. She wanders through an empty convenience store after stepping out of a late-night rain. The only other person in the store is a lifeless clerk named Miguel. Grace is often the brains behind, not just her music, but also the videos. I’m guessing that’s the case with this one as well.

VanderWaal is not yet a superstar—at least not on the Katy Perry/Taylor Swift/Ariana Grande level. Again, I believe that’s a good thing. She seems to be well-grounded and able to handle the success that has come her way thus far. Time is on her side. Grace VanderWaal hasn’t even hit her stride. Her best music has yet to be created. If you have the opportunity to catch her on the “Ur So Beautiful” tour, I highly recommend you do so.

 

Grace VanderWaal’s Ur So Beautiful Tour Dates

 

August 10 – Lexington, KY @ Railbird Festival
August 11 – Asheville, NC @ The Orange Peel
August 13 – Nashville, TN @ Cannery Ballroom
August 14 – Atlanta, GA @ Variety Playhouse
August 16 – Dallas, TX @ The Granada Theater
August 17 – Austin, TX @ Emo’s
August 18 – Houston, TX @ Warehouse Live
August 21 – Phoenix, AZ @ The Van Buren
August 25 – Santa Ana, CA @ The Observatory – Orange County
August 27 – Los Angeles, CA @ El Rey Theatre
August 29 – San Francisco, CA @ The Fillmore
September 1 – Salt Lake City, UT @ The Depot
September 3 – Denver, CO @ Bluebird Theater
September 6 – Minneapolis, MN @ Varsity Theater
September 7 – Chicago, IL @ Park West
September 9 – Detroit, MI @ St. Andrews Hall
September 11 – Toronto, ONT @ The Opera House
September 13 – Boston, MA @ Royale Boston
September 14 – New Haven, CT @ College Street Music Hall
September 16 – Philadelphia, PA @ Theater of the Living Arts
September 17 – New York, NY @ Webster Hall
September 20 – Washington, DC @ 9:30 Club
November 22-24 – San Diego, CA @ Wonderfront Music and Arts Festival

 

 

Eclectic and Intriguing, Grace VanderWaal Returns with New Music!

Rating: ★★★★★

 ec·lec·tic   /əˈklektik/

adjective

  1. deriving ideas, style, or taste from a broad and diverse range of sources.

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Eclectic. It’s a word that distills the very essence of singer/songwriter Grace VanderWaal into a single definition—if that’s even possible. To those who have followed this young lady since her rise from YouTube vid kid to international musical acclaim, she’s simply a breath of fresh air in a world of sound-alike pop pablum.

“Stray,” VanderWaal’s latest single and video, pairs Grace’s raspy vocal with a lush, jangly guitar riff that sends this new music in a direction much different from her previous work. And this is a good thing. It’s a sign of maturity and of a fresh approach—rather than an attempted re-capturing of what has already been accomplished.

Her words are poetic and cautionary, filled with real and raw emotion. An undertow of fear and urgency is detectable just below the surface of her mournful voice. The anxiety of growing into an adult and facing a world of uncertainty is a central theme the singer has discussed in recent interviews.

“’Stray’ is close to me,” she explained. “Not because it’s the re-start of my continuing path, but because it explains the exhilarating fear and freedom of growing up. Growing up feels like a storm you weren’t prepared for. But how do you prepare? By practicing and appreciating you.”

Her lyrics in “Stray” illustrate a fear of losing that one thing that has brought her this far: songwriting.

I gotta write a song

But I wanna feel my words

And I keep getting it all wrong

Think it out, write it out, rip it out

Throw it all to the wall

To be certain, this fear is unfounded. She hasn’t lost a step in the songwriting process. If anything, she’s unveiled a greater prowess in crafting melodies and moods and words within her music.

The video for “Stray” is a gorgeous visual steeped in creamy, earthy tones splashed across a canvas of loneliness, longing, and desperation. The desert setting finds Grace, garbed in a long flowing dress and barefoot, searching for something elusive and undefined—a yearning common to human beings since the beginning of time. Symbolism adds to the rich scenery, with VanderWaal riding a bike through desert scrub while blindfolded, adding to the narrative of, not only the song, but of its creator, and her incredible journey in just under three short years.

Director Blythe Thomas skillfully captures mood and vibe and real feeling with an artistry one would expect from a master filmmaker. Her partnership with Grace routinely produces stark and unforgettable results. If you aren’t familiar with the director’s work, I recommend you visit her website. CLICK HERE

The song itself is a haunting piece of guitar-driven beauty—which is something we don’t normally hear in Grace VanderWaal’s music. It is this driving guitar that adds an indie-rock element throughout the track. It stands in contrast to the “Clearly” single, released last March. And “Stray” would show out as markedly different among the tracks on her brilliant Just the Beginning album. This is what elevates her above the mechanical, formulaic pop singers inhabiting today’s musical landscape.

Grace’s music has soul. It has life. It sounds the way music is meant to sound—alive.

Bold and Empowering, “Clearly” is Grace VanderWaal’s Latest Triumph

Rating: ★★★★★

Grace VanderWaal’s latest single, “Clearly,” is finally available. This re-imagining of Johnny Nash’s classic 1972 hit “I Can See Clearly Now” became a staple in the fourteen-year-old singer/songwriter’s concerts during the second leg of her Just the Beginning tour over the winter.

One listen to VanderWaal’s rendition, and those familiar with Nash’s version can tell this is a completely different song. In fact, only the chorus remains from the original. Speaking of the track, Grace says, “It’s about hope, and having the courage to face the world, which can be pretty tough sometimes.”

VanderWaal’s voice is always her strongest asset, a gorgeous instrument full of all sorts of lush tones and textures. But those who follow her career—FanderWaals, if you will—know her secret weapon lies in her lyrical prowess. “Clearly” is a fantastic example of this power on full display. Her words have meaning. There’s never a stray verse that lacks cohesion with the rest of the song. She doesn’t drop lines into the mix just because they rhyme or sound cool. Grace is a storyteller. She paints vivid pictures with the poetic beauty of a true artist.

The song and accompanying video go hand in hand—this, too, a hallmark of the genius that is Grace VanderWaal. These are her ideas, her visions, her gifts that she has chosen to share with the world.

“Clearly” is catchy and addictive—as is all of Grace’s music. A gentle acoustic guitar opens the track, ambling along on warm currents of air. VanderWaal’s voice sways with the music in a delicate dance, slowly building from soft desperation to soaring determination. Between the lows and highs, there is a point where her vocals reach that sweet spot that gives even the most jaded among us goosebumps.

The video for this song is a visual feast for the eyes. It opens under a blue sky with just a notion of a cloud. Birds can be heard singing in the trees. Jumpcut to Grace, in a darkened room, dressed in gray sweats, strikingly beautiful in an almost fragile sort of way. A hint of tears gives her the weariness of a struggling soul. And just as VanderWaal’s lyrics paint meaning into the music, so, too, does each and every image captured within this story. As she sings the line “Gone are the dark clouds, the dawn has come,” she frantically wipes away her freshly applied makeup. Down the stairs she goes, ever cautious, wearing a flowing white dress with pale pink accents. She wanders through the kitchen, eyeing herself in a mirror, singing, “Take a breath and say a prayer, find the strength in my despair, it’s not gonna take me down.” Soon she is bursting from the darkness into the sunshiny day. Behind her is the house, its windows filled with singers from a gospel choir—an unexpected and touching scene. The camera play has brilliantly captured the sunshine at just the right moment and at just the right angles.

Nothing is wasted with this young lady. There’s no room for cheap gimmicks. She brings a message of optimism, of hope for a better life—for everybody.

Grace explains, “My favorite lyric from the song is ‘I accept all the things that I cannot change’. As much as we try to change ourselves, we will always be the same person deep down. We should embrace what makes us different and love that about ourselves.”

I’ll happily confess to being a FanderWaal; I have been one since her audition on America’s Got Talent two years ago. Grace’s music has had a profound effect on my view of life and the day to day living it requires. I am at a loss to attempt an explanation. I just know that I want to be a better person when I hear her music. Maybe it’s that voice. Or those lyrics. Perhaps it’s her beautiful melodies. I’m guessing it’s a combination of each. And it’s the girl herself. She is proving to me—and to the rest of the world—that kindness remains a beautiful thing.