Widetrack is an alterna-prog band based in my home state of Michigan. One description tags them as: “Twilight Zone creator Rod Serling holds a group therapy session with members of Pink Floyd and Soundgarden.” The band has recently completed their third album, entitled Widetrack III. This latest offering is filled with great hooks, catchy jams, and some incredible musical moods and addictive vibes.
Widetrack’s lineup consists of Ron Tippin on drums, vocals, and guitar, Ron’s son Zach Tippin handling bass duties, and Brian Burleson on lead guitar.
Long-time band producer Andy Patalan twisted the knobs once again on this latest effort. Patalan, known for his stellar work with 90’s Detroit alt rockers Sponge, offers a great ear in helping the band capture its incredible sound in the studio.
The album kicks off with an infectious rhythm weaving its way through a track called “Burning the Sun.” Solid all the way around, this tune calls to mind a time when music was fresh and exciting. The lyrics draw the listener into soul-searching mode:
The last run
Before the darkness descends
Through one constant frame
Only vices left
To relieve your wait
Demons on your back
Feeding off your faith
Knowing not for certain
If its real or feigned
Feeling all the while
Nothing’s bound to change
Knowing something more
There’s no let-up as the band segues into a mesmerizing number entitled “Zero Hour.” The vocals on this one modulate between pleading and demanding, pulling the listener along for a trippy ride.
“Gift” is the third track on the album. The bassline drives an incredible vibe through the center of the song, painting a mood that feels both new and yet still familiar.
“Unknown” kicks into high gear with a frantic chase going on between drums and guitar. The vocals conjure a dreamy state of mind floating above the fray, watching it all unfold.
A nice Queens of the Stone Age-influenced jam called “The Other” follows. The guitar work on this number is stellar, verging on shredder-mode. There are even elements of classic Pink Floyd sprinkled into moments.
“Loveless” is a haunting melody drenched in flourishes of darkness. The vocals are incredible in their delivery of emotion, anguish, and, in brief moments, they even carry a hint of menace.
Bouncing along on a pulsing rhythm, “Desolate” recalls a time when bands had the talent and the skill to flex their musical muscles without even needing to add words. This instrumental tethers Widetrack to some of the great bands of the past while teaching those coming up today that musicianship should always take precedence over image or attitude.
Tracks like “Ghosts” and “Hindsight” and “Life Force” add their own flavor to the stew that makes up this incredible album. But it’s the song called “Transcend” that is the true standout here. The elements that make up this song mesh so well. It transports the listener to another plateau in some far away universe—the way really good music will do. This is currently my favorite track on Widetrack III.
“Still Here” closes out the set. There’s something subtle going on here, underneath the tone of this track. It’s a tension and a volatility that threatens to snap and take over. But it never loses control. The vocals of Ron Tippin keep the mood on an even keel—even as the music itself works up to an almost manic pace toward the end. This is another excellent track on an album loaded with great music.
Widetrack is a band fueled by many contributing influences. These all coalesce into a sound that is both familiar and uniquely their own. The best songwriters in the world are those who, when crafting their music, are able to interlace differing moods within each song. This is what the Beatles and Rush and Pink Floyd did so well. It is refreshing to know that this skill is very much still in use. You won’t find any computer-generated beats on this album. Neither will you find filler material. For those who appreciate the talents of real musicians playing real instruments, Widetrack has an album just for you.
Free music from WIDETRACK
Check out WIDETRACK’S cover of the Pink Floyd classic “Welcome to the Machine”